Duende Arts

Journal with Photographs by Orlando Gustilo 

Indiana Daylight Savings Time and a Watercolor Summer

Colors and shapes are becoming more important to me as an image-maker. After a day working at the computer I take a walk in the evening after the heat has dissipated somewhat. With Indiana now on Daylight Savings Time, the light lingers till after nine and then suddenly is gone. I have taken most of my pictures recently when I go for my walk in the evening, taking advantage of the quickly changing light.

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Kaleidoscope Effect with Water

I have been taking my Lumix DMC-FX50 when I take my evening walks. It takes good images but the main advantage is its small size. My Canon cameras are too large and heavy to lug. A similar experience is using my small Sony HDV handycam instead of the heavy HRV-Z1U to shoot video. The small size devices have allowed me to take more shots than I would have with the heavier devices. No wonder the industry keeps miniaturizing. Digital videomakers are especially prone to take unlikely consumer devices to create content that they then post-produce with software into amazing products!
 
Reflections on the water are a common enough ploy but there are few things in land-bound Indiana to compete with the gorgeousness of sky and water, especially late in the afternoon.

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Life is what happens while you're busy planning it

Life is what happens while you're busy planning it. Two days already into official summer! It feels like just days ago that winter cold and snow were upon us, just weeks ago when I began my sabbatical in December 2007 that led to my departure from Lafayette Clinic. A lot of changes!
 
My morning routine has stabilized. For a while, no longer having to get up early to prepare to leave the house for work, I slept late. With daylight arriving earlier in the spring I began waking up as I used to when I had to drive 70 miles to Lafayette. I take my shower, do some yoga and meditate, then get my cup of Senior's coffee at McDonald's, visit in the garden for a while, maybe take a few photos with my small Lumix, then come back inside to start working at the computer. I break for lunch after one o'clock, fix the meal, sometimes cooking enough for leftovers for supper on another day, watch Charlie Rose or a cooking program on Create.tv, and start doing tutorials or working on photo or video projects until six or seven. I take my walk or go to the gym for a couple of hours. Alas, Bally is closing today. I bought my membership there a year before my condominium was finished in 1986. I've been going there for 23 years. I am sad to see it go but the change also opens up opportunities. I prefer to walk outdoors in the summer anyway. I might inflate my exercise ball and start doing weights at home again. I stopped weight training three years ago. Every morning in the shower I look at my wasting muscles and think I should do something about them.
 
The sabbatical was to explore doing professional videos. I had taken a certification class in FCP in the summer of 2007. Instead I found myself going into digital photography. I shot my first model in May 2008 after a trip to the Amalfi Coast in southern Italy. That was the first trip I took without my usual travel companion, my older sister, Merma. Shooting Kaleb was an eye-opener. Shooting landscapes and travel scenes is one thing but to have a live person in the studio (the shoot was my first using studio lights) was an inexpressible joy. My video camcorders gathered dust.
 
I started using the small Sony consumer camcorder again early this year but didn't shoot anything significant until I shot Babu and Visha's Jain guests this past weekend. I started learning iMovie '09 last month and am halfway through completing my first video in two years, a travel documentary of our Adriatic Sea cruise in 2007. For starters, I am doing just a portion of the cruise, the stopover in Dubrovnik. My next project is editing the interview with the Jain nuns. The more I work with video-editing, the more ideas come for other shoots I'd like to do. Travel videos have a commercial potential although I would have to shoot better videos first to produce professional videos that I could maybe market to tour members or tour companies. Next I want to do a documentary on the spiritual lives of ordinary people. I already have three video shoots for this project. These clips are a little better than the travel clips. Shot indoors, I've used a tripod for the camcorders so the clips don't need to be stabilized, a vital feature of iMovie. I'd like to be working in Final Cut Pro Suite again before summer is over.

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The AT2020 USB mike: another hardware piece for my video production studio

The AT2020 USB mike arrived yesterday from B&H Video in NYC. It is solidly built and plug-and-play on the Mac. I used it for a short voice-over on the video on Dubrovnik that I am working on. Nice clarity. The tone is warm and my mouth was more than a foot away from it. I am very happy with it. My next tool for video: a battery-powered daylight-color Litepanels MicroPro released at NAB last April. But I can wait to get that. I have tons of video tapes to practice on. I am still using iMovie and learning to use GarageBand. I figure I can start with the simpler video and sound program and advance to FCP, Soundtrack Pro and Shake as I get some experience (and confidence) putting together complete videos.

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Brandon Photo Shoot 1 Redux

I have not done any more work on learning Photoshop other than what I learn by trial and error when I process my daily batch of photos. I should. There is so much yet for me to learn. This is from Brandon's first photo shoot with me. I've processed a tiny fraction of the images. I was struggling to use a new Canon 70-200 mm lens during the shoot. If I had the space in my studio, the lens would be perfect. In the limited space I have, the 24-70 mm lens works better for me. I want to do more figures studies in future shoots. Meanwhile I am slowly, laboriously, moving back to doing videos. I am starting with literal baby steps. I am a fourth through finishing a travel video on a cruise to Dubrovnik in Croatia in 2007.

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Shooting the Third Episode of Spiritual Lives Documentary


Life is unpredictable. You're ambling along when something falls from the sky at your feet. You pick it up and you're running around with uncontainable joy. I met Babu and Visha, an Indian couple from Rajasthan, two weeks ago when Babul emailed me about joining the vipassana meditation group at my house. Last Friday I went to his house to listen to two Jain nuns that the couple was hosting. Yesterday morning I got the idea of shooting the nuns who readily agreed. I locked myself out of the car when I got at the house. My good camcorder and tripod that I had been relearning to use (the last time I used the Sony  HVR-Z1U was in 2007 when I had the help of a friend. He shot and I monitored the sound while interviewing my Muslim friend about the five daily prayers a good Muslim does whether at home or at work. 

Yesterday I was on my own and was flustered that my plans had gone so quickly awry. I called AAA and proceeded with the shoot. Then nuns were on a tight schedule. I had taken along my small Sony HDV camcorder and used that with the built-in microphone. Oh well, I'll have to make do with what I got. While I was collecting my things, Visha's mother struck up a conversation with me. She wanted me to take her picture but not a close-up. Another Indian couple had arrived to take the nuns to their next speaking engagement. I shot Mrs. Tatia with the new arrival's daughter. Portraits are intriguing. Maybe doing them on the fly has advantages, too. Too much planning can ruin creativity.

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Evening Light on an Indiana Lake

I am amazed, and not a little humbled, how the quantity of light affects the evocative quality of images. Sunbursts through clouds, starring effects of light, and, of course, the way we use studio lights to utilize highlights and shadows–all are tricks of the trade, but tricks are the core of what makes images so powerful. Shooting world-shaking events or exotic landscapes and people does not require much attention to light short of making sure your subject is well enough lit but taking pictures of the workaday world in which we live that we see these images with reawakened eyes requires a closer study of light and its effects.
 
More images of this shoot at www.flickr.com/photos/karuna71

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The Voluptuous Tropical Images in Tran Anh Hung's Movies


Light and color can be so seductive. I did these radish photos last night before retiring to bed to watch The Vertical Ray of Light by Vietnamese-French director, Tran Anh Hung. He also directed The Scent of Green Papaya, one of my all-time film favorites. Both movies revel in color and shapes. They are collections of sumptuous tropical scenes, the tropical fruits, foliage, even the attires of tropical peoples. In The Vertical Ray of Light, close-up images of the heads of the characters as they exchange intimacies are as voluptuous as images of fruits being cut up or plants decorating the typical open-air houses in Vietnam and many other places in Southern and Southeast Asian countries.

The film coloring reminds me of another French favorite, Le fabuleux destin d'Amélie Poulain, released in the U.S. mercifully as plain Amélie. A self-taught director, Jean -Pierre Jeunet declined the offer to direct Harry Potter and the Order of the Phoenix (2007) but in the 2001 tour-de-force story of a naive Paris girl who decides to help others and in the process finds love for herself he created a truly fabulous cinematic experience. If cinema is meant to take us out of the drudgery, often tortuous misery of everyday life, Amélie succeeds!

These two films anchor me when I think of color-correcting my photographic images. I don't always shoot for verity. If we want true-to-life, we need only stick our heads out of the covers in the morning.

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First Glimmers of Direction in Making Videos

I have two chapters left before finishing the two tutorials on using iMovie for making videos. iMovie has come a long way! I think I can make decent videos just with this software. After completing at least one video using iMovie I plan to go back to using the more complicated Final Cut Pro that professional moviemakers use to create digital movies.
 
My first project is editing a short video on the Dubrovnik part of the Italian cruise I took in 2006. I love travelogues. Before my sister persuaded me to take my first trip to Europe (Spain in 2001), I was content to be an armchair traveler. I still have one huge bookcase laden with thick photo-filled books about every conceivable country in the world. Through the years I have accumulated dozens of video tapes that I shot on many of the trips I've taken. They were unusable prior to iMovie coming up with this stupendous ability to stabilize shaky video clips. I handheld them because, after 9/11/01, carrying tripods and other pointy items in your luggage became difficult to impossible. Frankly I also just didn't know what I was doing. I have enough videos for dozens of travelogue movies although the quality of the finished product would be low, lower especially compared to what I have come to learn about professional or commercial movies. Still it's a start and I think I can make entertaining videos even with what I have. I aim to make cutting-edge movies, movies that really show creativity, new ways of looking at familiar sights, new ways of thinking familiar thoughts.
 
I want to combine travel shows with culture and history. I have been reading Bruce Feiler's three books on the Hebrew Bible that he wrote while actually traveling to the places in the Middle East where biblical events happened. What a powerful formula! The first book, Walking the Bible (2001), was a runaway bestseller and established Feiler at the top of this oeuvre of mixing travel with religion, archaeology and history. That led to his being asked to make a documentary based on the book for public TV in the U.S.
 
Next on my list are documentaries about people, how individuals choose to live their lives. I want to shoot ordinary people from different cultures talk about what coming to America has allowed them to explore and live about their native cultures, traditions and religions.
 
Finally, by 2010 or 2011, I want to start shooting videos in the Philippines, interviewing people and documenting the music and religious traditions that are quickly disappearing.
 
What I want to do is very ambitious. I don't know if I'll have the time before my body and/or mind give out on me. I just tell myself to do what I can.

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Writing and Creating a Video on Dubrovnik on iMovie


I have not put together a video since August 2007. Three months later I went on a cruise to Italy, Greece and Dubrovnik in Croatia. I took along my Sony HDV camcorder. Back then 1080i was the best one could shoot on consumer camcorders. I also took my Canon 20D for still pictures. I came back from the trip, downloaded my photos to Aperture, and put away from miniDV tapes. I didn't look at those tapes again until earlier this month when I started learning how to use iMovie 09.

There is a lot to be desired from both still and video images that I shot on that trip. There is a lot to be desired from the still images I shoot today! I should have the time to learn to improve my shooting with a still camera and my photos have improved a little. I flip-flop between learning the craft of shooting pictures and learning the software to process them. When I think of where I started, I feel I have made a measurable dent on what I want to do. When I think about where I want to be, the progress feels infinitesimal and I feel frustrated and discourage.

Before starting to write about the Bible, Bruce had already written four books and articles for magazines like Gourmet. Walking the Bible shot him to fame. He followed with his second book on the Bible, Abraham, a year later and then was involved in making the PBS documentary based on his first book. Where God Was Born, A Journey by Land to the Roots of Religion, was published in 2005. The series is Feiler's winning formula. The books represent the kind of book I have always wanted to write, combining personal transformation, history, travelogue and religion. His style in all three books is consistent. I start reading a few lines with the intention of dissecting his style and I am sucked into the narrative, forgetting what I had wanted to do. His prose reads so effortlessly that it quickly vanishes. Thee reader is left with his thoughts. Reading the books is like having an internal conversation with myself.

Every trip I've taken, whether to New York City or Las Vegas or across the Atlantic to some fairy-tale country in Europe or across the Pacific to the always powerful memory-laden Philippines, I take a notebook with me for jotting down ideas. I come home and like my video  tapes I put them away on the shelf. Months or years later I try to read what I wrote and its gibberish to me. Just now I looked at the half dozen travel and jotting notebooks I have. This is the first time I've read these since coming back from my trips. I started writing a list of what each notebook contains. That should make checking them in the future a little easier. What I should do is what Feiler did. He wrote as he traveled. In an interview included in the paperback edition of Walking the Bible, Feiler shared something of his writing process. "Seriously, as a writer, I spend a lot of time trying to think of words to describe the physical appearance of a place. This was particularly challenging while spending so much time in the desert."

Pleasure in discovery and companionship has been the principal feature of the trips I've taken so far. Traveling to write is a different animal. One can still have the pleasure of discovery and delights of new sensations but one must spend the time to write "seriously." I don't think I can glean much from reading my travel notes at this point. Impressions are fleeting. One can choose to enjoy them as they come and let them go as others take their place. A writer must hoard those impressions. These, along with what one finds in research, are the chief ingredients a writer puts together to produce a book.

I am not very optimistic about what I can do with these old Dubrovnik clips. It is enough that I am doing editing video again. iMovie 09 has this amazing feature of stabilizing clips that wobble every which way. In still photography I've only started using a tripod with my D5 Canon just in the last few months. I didn't use a tripod with the camcorder. Without iMovie's stabilization feature I doubt I could find 1% of these clips usable at all.

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