Duende Arts

Journal with Photographs by Orlando Gustilo 

Peter Cheung's China

Peter runs a small Chinese restaurant on a side street near busy Keystone Avenue. I stopped having lunch there ten or more years ago when I became embarrassed by his mother’s attention. Walking by the restaurant yesterday afternoon, I decided to check it out again. I had fully expected the restaurant to be gone by now. The larger, more successful Chinese Ruby closed this spring, before the economic downturn began to affect other businesses.

Peter is ebulliently friendly as always. He treats me like a long-lost brother without mentioning that I have patronized his restaurant in years. No recriminations, everything as though I had been going there all these years. I am older and Peter, too, is older. He has gray in his sideburns. His father who used to be the main cook passed away a year or so before I stopped going. His mother now stays at home.

“She walks slowly, moves slowly, but still talks fast,” he says. He spends as much time at the restaurant to get away. She is 81 years old.

Peter talked about the new China. There are 300 cities with over a million people. The people have idolized American capitalism but since the recession their adulation turned them from being disciples to leaders in their own right.

“They come to Chicago,” Peter says, “and are disappointed.” The buildings are old. In China, because they “started from scratch,” the buildings are spanking new and glitter in the newfound prosperity of abundant, cheap labor.

They have evolved a kind of communism different from that of Soviet Russia. The politburo collects information then makes decisions that affect the whole country. One size fits all. It works for the country if its economic triumph is any indication. Peter admits there is no room for protest. There is no room for the individual.

Peter himself is a product of the old China. He has been running his restaurant for decades through sheer perseverance and hard work. He told me he planned to keep working for another ten years then will retire to Hongkong. “There,” he told me, “he could hire a Filipino to do his household work at $500 a month. Your money there goes a long way.”

Unlike the new Chinese immigrant businessmen, Peter is not looking to rapidly expand his business or build a franchise. He does most of the cooking himself. He greets each customer personally, chats with each one before he seats them, and takes their payment after they finish. As I was leaving today, I told him his food is as good as it was when last I ate there. He told me he cooked Cantonese and now Sichuan. A young woman helps with cooking in the kitchen.

When I think of business, my model is similar to Peter’s. Personal touch is high on my values. Customers are treated like old friends. Like Peter I would like to be generous with freebies. Lagniappes is how I think of the most successful small-time business owners in the Philippines. After you conclude your business, they add a few more prawns to your heap while making small talk, never making a big deal of the tiny addition. Those little gifts are what the customers remember, what keep them coming back again and again. They become suki, regular patrons.

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Posting to YouTube and Vimeo

I'm finishing the new website (www.duendearts.com), creating links to my Internet sites on the home page. I've had an account with YouTube for years but never posted a video there. I think the Dubrovnik video I made in July is the best I've done. Watching it again yesterday I revisited the memories of that trip. I had not planned this video but somehow the footage I took worked really well in editing the 22-minute video.
 
YouTube has limitations for free account holders: no more than 2 GB, no longer than 10 minutes. I couldn't upload the video. As I get back to editing videos I have to consider the YouTube limitations. Vimeo has a .5 GB weekly limit and only standard, not high defintion, Vimeo Plus 5 GB with a limit of 1 GB per file. I knew short videos are more effective (I've seen enough director commentaries on DVD to see how feature movies are edited down and down, often eliminating the director's favorite clips all in the interest of creating a more powerful movie) but ignored caution. If I want to post my videos they'll need to conform to these requirements.

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Moving from documentary to emotional and artistic impact

A year and a half into my learning sabbatical and I see the progress I've made not only in the craft of taking and processing photographs. I also see the weaknesses in my work more clearly.

While driving to the Final Cut Pro Users Group meeting a week ago, I had a comforting insight. The time and money I am using to learn the new craft in graphic and video production is what a young person would be spending going to college. The main difference: I don't have as much time as that young person. What I do have is perhaps a clearer vision of where I want to go, and maybe a dose or two of maturity or common sense.

I have my doubts about the clear vision. I had another insight, this time at the meeting itself while the group leader described his experience making an HD video with the Canon D5 Mark II. I've ruled out narrative video features and thought documentaries were what I wanted to shoot for. Documentaries are easier to do with no experience and no money to hire writers and actors and I enjoy watching documentaries, especially travel and history documentaries. But most documentaries are ho-hum. I want my work not just to document experience but to move the viewer either emotionally or artistically. 

I've had no prior experience in artistic movement, only some experience in creating emotional movement but this in a totally different field and for different objectives. I want to move people emotionally so they can have insights into themselves or their lives with impact considerably more powerful and effective than the clinical insight patients get in psychotherapy. I want impact that strikes below the belt, under the skin, beneath the surface of consciousness. This would mean impact more appropriately classed under art. Intellectual insight is too frail. When it comes, it swims on the surface of thought and hardly dives deep enough to change the ocean bottom where the reside the structures that shape most of our lives.

I don't make as much progress as I wish I could make in part because I am torn between learning the technical craft of software and the craft of artistic creation. I need to focus on learning more creative ways of compositing and processing images, while spending some part of my daily schedule continuing to learn the software and shooting technology.

Last Tuesday I thought I should go back to the idea of learning to create effective commercial images and videos. I am not interested in doing weddings or events photography. If I want to make money by early next year, I need to revive my aspirations for commercials and corporate videos. To reach that goal I shall need to shoot and process more videos. It’s this simple when you’re at the very bottom rung of the ladder that you want to climb.

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My first homemade pizza margherita

Visha did the honors of rolling out the pizza dough that I had prepared Sunday morning for a successful launch of my home pizza-making enterprise. The crust was heavenly—thin and nutty, the filling of Mozarella, tomatoes, and fresh basil leaves just right. We ate it hot out of the oven, with a salad of fresh greens from the deck garden with a simple balsamic vinegar-olive oil dressing.
 
Yesterday I rolled out my own pizza, this time adding strips of Prosciutto and more fresh chili. I overloaded it with seeded tomato, even adding a few Kalamata olives. It was not as good. Sunday's pizza was thinner like Neapolitan pizzas. I ignored everyone I consulted who urged a thin crust for the best Margherita and rued my disobedience. The center of my pizza was thick, like bread, or, I guess, like Sicilian pizza and I missed the crunch and flavor of Sunday's pizza.

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The Amish and a more genuine simplicity

Thirty years ago when I still drove around getting to know the country I stopped by Lancaster County in Pennsylvania to see how the Old Order Amish lived. Solid-color buggies with the color-glow orange caution symbol in the back, men, women, girls and boys all dressed alike in solid blue, gray and purple clothes, small, tidy farms and the lack of modern-day rush and clutter: there was a simplicity that bespoke bygone times of unadulterated joy.

Last night, reading Bob Brooke's The Amish Country for American Traveler ($1 at Half Price Books) reminded me why I was interested in the Amish. I probably would not have survived in an Anabaptist community where one size fit all. That's not what drew me to the Amish. Maybe it's what I've salvaged from growing up in the Philippines. By American standards we were poor in material goods but when I take away the subjective feelings of not fitting in (I didn't fit in back then either) the childhood memories shine with what today I perceive as lost down-to-earth simplicity.

In the 80s I drove around studying the alternative spiritualities that the American tenet of freedom allowed to sprout in tiny, unobtrusive pockets around the country. I discovered yoga and Buddhist meditation. On a trip to Yellow Springs in Ohio to attend a weekend vipassana retreat I met several people who influenced the lifestyle I was shaping. Paul, a psychologist at the Dayton VA, introduced me to the Buddhist center in Barre, Massachusetts where Buddhist practice became established. Buddhism drew me for being an Asian tradition of spirituality but like my attraction to the Amish and the early Christian desert hermits a more powerful draw was the aesthetics of simplicity and of "fewness of desires."

When I undertook a protracted sabbatical last year I was motivated by several factors. Among others I wanted to simplify my life in both its material and process aspects. Instead of chasing after material aggrandizement I wanted to deepen my inner life. How well have I succeeded? Not as well as I wanted. But I am recognizing that life is not so much about reaching the other shore as living each day as it comes. Goals provide us with set patterns when fate does not provide the surprises that energize and renew our spirits. Goals are default behaviors. More vital to a life of inner richness is the openness to what lies beyond goals and desires. To walk through life minimally encumbered with expectations: this is a more genuine simplicity.

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Gourmet Asian Restaurants in Indianapolis: Thai Taste

   

Last night, our Thai friend, Usana, invited us to the Thursday night buffet at Thai Taste on the city's north side. My Chinese friends, Allen and Helen, had been urging me to check this out for many years but last night was the first time I went. I'd been too attached to Chinese food when I do go out to eat.
 
As it happened, Allen and Helen, were there, too, last night. They asked me where I'd been. They had not seen me at the usual restaurant haunts where we often meet. We're Asian buffet aficionados. They told me that the Saturday lunch buffet at The Journey is the place to go on Saturday, better than the dim sum buffet at 8 China Buffet. For Sunday lunch, they go to Mandarin House in Carmel.
 
The spread at Thai Taste was okay and most of the tables were occupied by six o'clock. Service was excellent. I do love Thai food but compared to Chinese food it tends to be a tad more expensive. Not as expensive though as Japanese food which is probably the top of the heap in terms of price, especially Japanese steak houses.
 
Outside the restaurant after the meal, I met a friendly Caucasian guy. The front of his white tee shirt was splattered with chili sauce for which he kept apologizing. He told us he discovered Asian foods when he lived in California years ago. There he had a Vietnamese friend who introduced him to Asian cooking. Thai Taste was his favorite but he also loved Korean food. For Korean he went to a restaurant (Ma Ma's Korean or Bando) on Pendleton Pike and E. Miracle on Allisonville Road.
 
The evening reminded me there is a small group of local people into East Asian food. Our party consisted of three Filipinos, a Thai and a Japanese. Yoichi loved the food. When eM invited him to join us, he was incredulous. He hadn't known there was good Thai food in Indianapolis. He was going to Golden Corral for dinner on the nights he didn't want to cook after work.
 
Maybe I should a food blog since food obviously is high on my value list. I can easily add a food blog to my new Duende Arts site. iMovie does not allow me to group the blogs together into an album page as it does photograph pages. I am still looking for how I can put my text products into the site.

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Images and words together may help us pin down memory

For years I have wanted to write what I remember about this challenging, rich, ever-changing panorama that I call life. Only a handful of novels and nonfiction books on life in the Philippines is available even today. The near vacuum begs for more content!

At our last visit to my parents' old hometown in Iloilo in 2007, my younger sister's daughter scanned photographs from the old family albums and gave us a CD copy of the images. I made my own copies using my Canon camera which are what you'll see when you visit the Family Photos page on the Duende Arts website (still hidden behind the current website).

As we grow older, more of our life appears in the past than in the unforeseeable future but I've had this idea for writing about life in the Philippines as I was growing up for at least two decades now. I remember the heartache I felt when I put together my first photo album in the early 80s. Here were pictures of places and people that no longer figured in my life. I was struck by the ephemeral nature of life. Without looking back, we get the feeling we are going to new places and creating new patterns. Going back we see the handful of themes that repeat like a looping filmstrip. The scenery changes, the characters change, but the energies stay remarkably unchanged. The life we live feels to me so much more fantastic than any fiction work can be!

The first pages of that album comprised photos that I took o f those last days in the Philippines in 1975. I bought a camera to document the upcoming adventure in the New World. I came to America to reinvent myself. I was not concerned about holding on to images of the past. I blamed these for my discontent with life. I was going to push beyond the known into the truly new.

In America, I took candid shots because everyone took pictures. I had no grand plan to use images to redefine personal growth. I discovered the world of photography when I bought my first SLR camera, a Minolta. The Minolta showed me that photographs did not just document memories but hint at something I'd like to think goes beyond the ephemera of our unstudied lives. 

As young adults we approach life purposefully. We are schooled to believe we map where we are going. Six decades into a life I find purpose comically wanting.  When we dig beneath the skin, we are not very different from each other. Perceptions, like clothing, lifestyle, and occupation, mask the underlying sameness with which we all must struggle to make sense of ourselves, and the lives we can live. In the sameness I believe lurks something awesome and grand that we might touch with well-considered words and images. With purpose we can only see so much. What is the world like beyond the designs of purpose and memory? Here is the stuff of creation, of marvelous tales and breath-pausing images.

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Summer Tarragon in Salads and Stewed Vegetables

As summer comes to a close, my herb garden on the deck facing the lake morphs into everything I shall miss when the season ends. Tarragon, I discovered today, is wonderful in salads. I didn't even tear the leaves up so when a leaf is included in the mouthful the flavor and aroma stands out, pure gustatory sensation flooding the tongue and mouth.
 
Cauliflower is also underrated but its texture is priceless especially when simply stewed with fresh tomatoes and herbs and a few drops of extra virgin olive oil.

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Rethinking model photography in light of the forthcoming new website, and Apple's Snow Leopard upgrade

I have been reviewing my model shoots to see what photo images fit my idea of what to post in the new website. This time I am not going to post all the photos from the shoots that I have processed. The new Duende Arts website will have a specific objective: to post products to begin to move into a money-earning phase of the business of photography, videos and writing.
 
Even more than I felt before I started this review I find myself wanting to hone my image processing skills. The images are considerably better in terms of color correction than the images I have on my current website but now I need to work on making these images of striking quality.
 
As I contemplate reviewing Photoshop techniques for image-processing, I am reminded how I need to work on lighting and exposure techniques again. I also need to resume working on videos while dipping my foot in FCP again.
 
Meanwhile Apple has announced its new system upgrade, Snow Leopard, from Leopard. The slight change in name might reflect Apple's acknowledgement that this upgrade does not bring about major changes in the OS although full support for 64 bit should, once implemented by software developers, make for a significant increase in processing speed for those of us with multi-core computers.
 
I especially look forward to integration with Microsoft's core software so that using Apple's iCal and Address Book I automatically access the comparable data in my Microsoft business software. Apple takes an important step in making Apple software more attractive to business and corporate users!
 
But where's the Blu-Ray support?

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The new Duende Arts website takes shape

This is, so far, how the front page of the new Duende Arts website looks. I want a more modern look to the site. Black is elegant but I want change. I still want simple but not too simple, and not the elegant look many art photographers have on their site. I like a straightforward, simple look. I have learned from launching that first iWeb-created site. Less information, more white space, ease of use, presenting just the information I want visitors to have.

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